THE BEATLES: PAPERBACK WRITER

BEATLES LOCATIONS ACROSS THE UNIVERSE

Beatles Locations Across the Universe

by Leslie Cavendish ,Lou Longobardi

Here is the book description from Amazon:

This is a fascinating journey through The Beatles' world. From Liverpool and Hamburg to the rooftop of Savile Row, and all points in between, this book is the definitive guide to over 1,400 Beatles-related locationsconnected with moments and people that helped shape the story of the greatest band of all time.

Authored by former Beatles hairdresser Leslie Cavendish, and Beatles subject matter expert Lou Longobardi, this unique guide presents fascinating history, rare insights, and personal memories, combined with hundreds of colour photographs, to create the most comprehensive and entertaining book of Beatles locations ever compiled and published.

Whether you're planning your own Beatles pilgrimage or simply want to sit back in your easy-chair and relive the story of John, Paul, George and Ringo through stories about the places where it all happened, this is your indispensable 'travel' guide.

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USA: https://link.amazon/B05JRiTMX

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FRANCE: https://link.amazon/B0hfh0qxW

GERMANY: https://link.amazon/B0aN0pjg5

JAPAN: https://link.amazon/B0dg4uWCA

SPAIN: https://link.amazon/B034pLp5q

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PAUL McCARTNEY: FLOWERS ON THE DIRT. THE ROAD TO COMEBACK (1987-89)

“Flowers in the Dirt. The Road to Comeback (1987-89)”

198 pages.

The story of one of McCartney's most challenging but rewarding periods. 25 exclusive interviews, the Phil Ramone sessions, Elvis Costello.

Here is the book description from Amazon:

Released in June 1989, nearly three years after the disappointing reception to Press to Play, an album that, despite receiving some positive critical acclaim, wasn’t blessed by the desired commercial success, Flowers in the Dirt was hailed as Paul McCartney’s grand comeback.

The album was the final piece in a well-executed strategy that saw Paul change his artistic direction. It was a path lasting more than two years, during which McCartney put many irons in the fire. The collaboration started in early 1987 with an experienced producer, Phil Ramone, who seemed to be the solution, it only posed the eternal question of egos in the studio.

That aborted project had the merit of catapulting Paul towards something more refreshing, first through rock ‘n’ roll (the Сно´ваВСССРsessions and album) and next through a new songwriting partnership with Elvis Costello; both breathed new life into McCartney’s music and renewed his enthusiasm. The nearly 18-month-long Flowers in the Dirt recordings, during which Paul experimented with the multi-producer formula for the first time in his career, proved that he considered the album to be a real cornerstone. McCartney’s burst of confidence would culminate shortly afterwards in the mammoth Paul McCartney World Tour 1989/90.

Enriched by photos (including some from the personal archive of Charlie Morgan), the volume Flowers in the Dirt. The Road to Comeback (1987–89) tells the story of one of McCartney’s most challenging but rewarding periods, over which more than 70 songs were recorded. In its detailed account of all the events and recordings that filled those two years, the book guides readers through the elements that made the whole period a real journey of self-discovery for Paul, who still desired to sound contemporary, this time distancing himself from the abstract lyrics and the experimental musical approach of Press to Play.

Twenty-five in-depth interviews by the author with musicians, engineers and producers, including Phil Pickett, Tim Renwick, Charlie Morgan, Stuart Elliott, Kevin Armstrong, Hamish Stuart, Chris Whitten, David Rhodes, Steve Lyon, Neil Dorfsman, Chris Hughes and Steve Lipson enrich the book with anecdotes from the studio sessions, never heard before details, as well as musical and human insights.

The volume covers the timeline of the sessions, the stories behind the songs of the album and of the period (including the entire Phil Ramone Return to Pepperland project, “Tropic Island Hum”, the Daumier’s Law soundtrack, the single “Once Upon a Long Ago”, plus B-sides and other tracks), their harmonic and rhythmic inventions, the instrumentation, the recording equipment, lyrical analysis, the promotion, the chart success, the critical acclaim.

Over two complete chapters, the book also explores the McCartney-Costello partnership – how this collaboration started, developed and somehow “fell apart”, their communication and disagreements, their discussion about the re-discovering of The Beatles’ musical language – offering an analysis and perspective that go beyond the obvious Lennon/McCartney analogy.

An unprecedented first-hand account of one of the most important Paul McCartney albums ever.

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USA: https://link.amazon/B05fEDJgb

UK: https://link.amazon/B03FyOCeF

JAPAN: https://link.amazon/B0cMCOTmI

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MR. MOONLIGHT: BRIAN EPSTEIN AND THE MAKING OF THE BEATLES

Mr. Moonlight: Brian Epstein and the Making of the Beatles by Philip Norman

Here is the description from Amazon :

"Captivating . . . . tells a great story . . . . a rip-roaring yet empathic rock history."--Publishers Weekly (starred review)

The definitive, comprehensive biography of Brian Epstein—the man who built the Beatles—by eminent Beatles biographer Philip Norman

There will never be another pop manager like Brian Epstein, the young record retailer from Liverpool behind the 20th century’s greatest romance.

Having achieved his much-derided aim of making the Beatles "bigger than Elvis," Brian went on to make them bigger than any earthly instrument could measure. Only a handful of years older, he nonetheless referred them as "The Boys," protecting and pampering them like the children he could never hope to have.

Brian’s achievement in a profession in which he had no experience, and for which nor rulebook existed, remains jaw-dropping.

A devout classical music fan, he was nonetheless solely responsible for a new genre of pop that was to change its course, and Britain’s international image, forever—yet, disgracefully, earn him no public honor nor even thanks.

Mr. Moonlight draws on a cache of exclusive interviews with those closest to Brain, including his mother, Queenie, and brother, Clive, to tell the story of this hugely complex, self-contradictory, and ultimately tragic character.

This revelatory narrative explores the unplumbed depths of Brian’s many trials and tribulations—how he almost lost the Beatles to organized crime, the antisemitism and homophobia he had to face even at the height of his success, his complex relationship with John Lennon that led to their reckless “Spanish Honeymoon”—and sheds new light on Brian’s mysterious, lonely death in the throes of the so-called Summer of Love.

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USA: https://link.amazon/B03onav65

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FRANCE: https://link.amazon/B09jiawax

SPAIN: https://link.amazon/B0fXBsWea

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JOHN LENNON: I'M ONLY SLEEPING

John Lennon : I´m Only Sleeping

By C.A.Burton

This is the book description from Amazon:

What if John Lennon still had something to say?

After completing the Monroe Institute® Gateway Experience, author C.A. Burton awakened one night with three unexpected words in his mind:“Write about me.”

What followed was an extraordinary journey through memory, music, loss, love, fame, fatherhood, and the complicated life of John Lennon: I’m Only Sleeping is not a traditional biography.

Told through an intimate first-person narrative, John revisits his life outside the boundaries of ordinary time. Liverpool, Hamburg, Beatlemania, marriage, separation, reconciliation, and the quiet years of fatherhood arrive not as a tidy timeline, but as memories do—alive, emotional, contradictory, and connected by music.

Along the way, John confronts the people who shaped him: Julia, Mimi, Cynthia, Julian, Paul, George, Ringo, Brian, Yoko, and Sean. He reflects on the wounds he carried, the mistakes he made, the love he struggled to express, and the man hidden beneath the legend.

At his side is Chris, the writer asked to listen, challenge, question, and occasionally argue back.

Their conversations move between humor and heartbreak, certainty and doubt, the mystical and the deeply human. Was this imagination, inspiration, spiritual guidance—or something more?

Perhaps the answer is not the most important part.

Perhaps what matters is the conversation.

For readers fascinated by John Lennon, the Beatles, creativity, consciousness, and the possibility that our stories continue beyond the lives we remember, I’m Only Sleeping offers a daring and deeply personal encounter with the man behind the music.

The dream may have ended. The conversation did not.

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